Oct 31st, 2005
Not For The Faint of Heart (Part One: One man’s horror…)
Halloween. Undas. (The second one, the local equivalent, but not exactly a direct translation of the western “All Souls Day”, somehow has a more ominous ring to it).
How to spend this holiday? Go to cemetery? Done. Trick or Treat? Sorry, trite. Watch movies? Nothing good showing right now.
Stay up late and watch good-old fashioned horror?
Yes, definitely.
Watching fright movies during Halloween is a favorite past time that I remember doing not only with my family, but also with friends back in grade school and high school. Actually, it’s not quite as easy as it sounds. The traditional horror movies under which we’ve all been raised are not by any means homogenous in quality or theme. In fact, for best effect, I’ve learned that you should avoid “mixing” horror movies. It’s better to watch more of the same thing.
Why? The mechanics of fear and horror movies at a glance seem pretty much straightforward: we fear things that we are not familiar with–we fear the unknown. But if you think about it further, considering the (presumably) myriad things that we do not know, there’s a lot of room to play with–and consequently, more complexity involved. What’s scary to one person, could be funny to another.
Further, and the whole plethora of horror movies is a testament, what seems to scare us most, is not the completely unknown (which would border more on fantasy and science-fiction), but the best horror movies seem to play on what seems familiar at first, but then turns out to be completely alien, and thus, terrifying.
Although I am by no means an expert (who is anyway?), just quickly browsing at the common “themes” in horror movies, we find numerous ways of how the familiar is turned into the fearfully unknown.
In satanic/demonic horror (e.g. Omen, Exorcist, Hellraiser), the familiar is turned horrifying through possession or corruption. Here the world is at the mercy of universal forces outside the knowledge of man.
In psychological horror (e.g. The Shining, Psycho), the line between the familiar and the unknown is blurred further as one learns the enemy to be afraid of is not external, but in the mind. We are our own worst nightmare.
In slasher horror (e.g. Nightmare, Friday the 13th, Halloween, Texas Chainsaw), this concept is almost satirically abused by taking familiar and safe surroundings (i.e. suburbia, a vacation, etc.) and adding that odd element (i.e. the slasher). To further wear down the point, in more recent incarnations of this sub-genre, the slasher turns out to be one of the earlier “heroes”.
Classic monster horror (e.g. Dracula, Frankenstein, Salem’s Lot, The Howling) is rich with this analogy, usually involving a familiar person that hides a terrible secret/curse, or another person that unknowingly creates/unleashes a terrible horror into the world.
Which brings us to my favorite by far of all horror flicks: the zombie horror movie. In my opinion, there’s nothing more straightforward, nothing more familiar turned terrifying, than walking corpses. Flesh eating walking corpses.
Having seen my fair share of these movies (and continuing to do so) over the better part of my childhood and adult life, there are a few things I’ve noticed among these movies, and some questions as well. Most of which I shall now commit to writing, just fun of course.
Meantime, as Halloween is still around, you all still have time to get the following movies to satisfy your craving for horror. Remember, don’t “mix.”
Exorcist (Satanic): It’s really just 1 and 3 for me. 2 is a piss-off. And the recent prequel doesn’t do justice to it. Always go for the director’s cuts.
Omen (Satanic): The Antichrist gets born (1), grows up (2), and tries to conquer the world (3). Lovers of the Da Vinci Code will like the bible references.
Psycho (Psychological): Watch the Hitchcock original. 2 and 3 are passable (but inferior) sequels. The remake is not worth it.
The Shining (Psychological): Watch Jack Nicholson go crazy (as he usually does). This is not the version Stephen King liked though, but is the best one so far.
Texas Chainsaw Massacre (Slasher): For the original camp feel. The remake is also good, but more cheezy. The villain: Leatherface, is really wearing a mask. He has 3 or 4 kinds of masks in the movie.
Halloween (Slasher): Jamie Lee Curtis gets her break in this film. There are six movies all in all, but the first is the best. Mike Myers (the killer not the comedian) wears a mask as well — it’s a Star Trek William Shatner mask painted white.
Friday the 13th (Slasher): Jason in a hockey mask kills no two people in the same manner (try to count the ways). Has lots of sequels to choose from–all equally gory an inane. Also spawned a TV series–which was actually good. Has a fight with Freddie of Nightmare in one movie.
Nightmare on Elm Street (Slasher): Crazy claw-gloved man invades your dreams. Also has a ton of sequels. Has a fight with Friday’s Jason in one movie.
Evil Dead Trilogy (Zombie): Teenagers planning to go on a vacation filled with drugs, sex, and rock and roll, unknowingly cast a spell that raises corpses from the dead. The whole trilogy is cool, ending with Army of Darkness, where the hero gets transported to medieval times to battle the undead.
George Romero’s Living Dead Movies (Zombie): Begins with Night of the Living Dead, where people get trapped in a house overnight as corpses start rising from the dead because of space fallout. Continues with Dawn of the Dead where people get trapped in a Mall as the disease spreads. Continues yet further in Day of the Dead as the last human survivors build undergroud shelters and study ways to reverse the animating process. Finally in the most recent Land of the Dead the zombies start getting more intelligent and wish to carve out a society of their own. Both Night and Dawn have had good remakes recently. Also the completely unrelated 28 Days Later has the same feel of these movies.
<End of Part 1>













